
*The Fourth Day was cut from its frame during a dinner party in Dunster House at Harvard University in 1970 where the entire series on loan from the Fogg Art Museum. It has never been recovered. The fourth angel is derived from black and white platinotypes done by Frederick Hollyer at the end of the nineteenth century, 1934 photos from the Harvard Art Museums archives, and extrapolated from the description of Oscar Wilde and other critics of the day. Initial work on the fourth angel was done by Kara Fraser, with final work done, if there is such a thing, by Christine Norstrand.







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